I work in the intersection of performance, expanded choreography and installation, often using sound, voice, writing and video as connecting materials. I handle a mixed medium of intimacy, visionary, perception and expanded sensibility. This compost is both the core material and method of my research. Experience is essential. Reality is a tangle of exchanges and interactions and performative language is a tool for connecting substances. Recently, starting with the personal experience of pregnancy and moving light years away from the conventional concept of motherhood, I have been focusing on transformation, connection, relationship and sensuality with a slightly hallucinatory gaze and always from a transfeminist, queer, decolonial, anti-capitalist, ecological, non-hierarchical and non-competitive perspective. I collaborate with other artists, exploring shared processes and potential mutual influences. All my works start from an idea of action, understood as a generative process that activates reflections and visions in doing, in movement, in the transition between several things. The basis of the research is the body, a vehicle for the world and of the world, matter that contains [other matter], that touches, that changes. Based on the assumption that bodies are social flesh, active in relation to other, in continuous becoming and that there is no external position, I investigate formulas to facilitate the experience of a permeable body and escape from anthropocentrism. My research is often chaotic, freaky, mysterious, ironic, hybrid, can provoke pleasure and/or estrangement, draws on the complexity of the present and flows into psychedelia. I would like to be a mushroom, a frog, a chemical that produces visions.