I work in the intersection of performance, expanded choreography and installation, often using sound, voice, writing and video as connecting materials. I handle a mixed medium of intimacy, visionary, perception and expanded sensibility. This compost is both the core material and method of my research. Reality is a tangle of exchanges and interactions and performative language is a tool for connecting substances. Recently I have been focusing on transformation, connection, relationship and sensuality with a slightly hallucinatory gaze and always from a transfeminist, queer, decolonial, anti-capitalist, ecological, non-hierarchical and non-competitive perspective. I collaborate with other artists, exploring shared processes and potential mutual influences. All my works start from an idea of action, understood as a generative process that activates reflections and visions in doing, in movement, in the transition between several things. The basis of the research is the body. Based on the assumption that bodies are social flesh, active in relation to other, in continuous becoming and that there is no external position, I investigate formulas to facilitate the experience of a permeable body and escape from anthropocentrism. My research is often chaotic, freaky, mysterious, ironic, hybrid, can provoke pleasure and/or estrangement, draws on the complexity of the present and flows into psychedelia. I would like to be a mushroom, a frog, a chemical that produces visions.